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How to watch: iflix or contact Centerstage Productions to purchase a copy – (02) 5319831Ĥ8. They are pictured as women who continue on solving their day-to-day problems with ingenuity, perseverance and resilience.” – Grace Javier-Alfonso, Manunuri ng Pelikulang Pilipino
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It is about a people marked by heartbreaking struggles through time as shown in the wrinkled faces of Lola Sepa and Lola Puring. We see them just move on to their next step. Here is a film about the system of justice, the criminality and harsh living conditions as part of the environment.
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But we don’t see them helpless and hopeless when they are turned down. We see them as they seek the help of friends, neighbors, politicians in local government and the lending establishments. “Mendoza sensitively captures the almost chaotic rush of the two women to pool some funds together, always unsuccessful…we see them all wet and weary in the middle of the rains and typhoon. How to watch: Contact Regal Films to purchase a copy (02) 910 0501
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The film’s chief asset, however, is its screenplay (also by Jose Javier Reyes) which helps make Minsan May Isang Puso a truly outstanding dramatic movie that tugs at the heartstrings.” – Butch Francisco, Manunuri ng Pelikulang Pilipino Even newcomer Dimples Romana does very well in the movie as Carlo Aquino’s sister who cannot stand their miserable condition at home. One is the super performance of all the stars in the movie particularly Ricky Davao, Carlo Aquino and Jaclyn Jose. Minsan May Isang Puso is in my list of the best films of 2001 for a lot of reasons. “The movie focuses mainly on the relationship between the characters of Carlo Aquino (a teenage boy whose family used to be middle class) and Ricky Davao (his employer who happens to be a foul-mouthed grouch and who seems to be carrying the load of the world on his shoulders) and how they eventually help each other get on with life. Minsan May Isang Puso Jose Javier Reyes, 2001 How to watch: Contact PelikulaRed to purchase a copy 844 9360ĥ0 ( tie). Sa mga tauhang ito rin umangkas ang pesimistikong panukalang nagdiin hinggil sa direksyong pupuntahan ng kuwento ni Raul, at ng kuwento nilang lahat.” – Jema Pamintuan, Young Critics Circle Ang malinis na editing ang nagsilbing aparato para sa pagtalakay ng baliktanaw ng mga dehadong nagsasalaysay (Soliman Cruz at John Arcilla) habang kinukumbinsi nila na walang tatamasahing anumang pag-asa si Raul sa kaniyang mga tangkang pagsisikap. Ang linsad na kapalaran ni Raul ay pinatingkad pa ng indibidwal na naratibo ng mga kasamang tauhan sa pelikula. Nilumpo siya ng sunud-sunod na mga limitado, o higit, kawalan ng opsiyon at kalayaang kumilos at mapakinggan-mula sa mga balikong karanasan sa pagpapakopya ng dokumento, pagkaunsyami ng pagsumite sa aplikasyon, kapalpakan bilang tagabantay dapat sa ilegal na operasyon kasama ang mga kaibigan, at sa kalahatan, pangingibabaw ng mga bigong taktika. “Alinsunod sa paradigma ng teorya ng kakayahan, naghain ng kataliwas na pamantayan ang karanasan ng tauhang si Raul (Raul Arellano).